Can You Really Make a Living Selling Microstock Photography?
I hear this a lot from those looking into microstock to earn a full time living. Questions like this come up frequently on microstock forums. How many images will I need? What can I make hourly? Is building up a sizable microstock portfolio even worth the effort?
Now this article is not an article just to try and discourage people from giving it a shot, or attempting to discourage breeding my own new competition. There are bazillion other blogs online where you can learn “How to make a living selling stock photography” and obviously there are already hundreds of thousands of contributors worldwide. No one stock photographer or illustrator is alike, considering that everyone has their own style, their own work ethic, their own methods – to each his own. Who am I to give my opinion? I’m nobody special, just your average creatively minded computer geek. I have been making a full time living for 2 solid years now. My 2 years full time was built upon 2.5 prior years selling stock part time (approx 5-10 hrs a week) while working full time at a graphic design dayjob; the field I actually have my BA in. So I’ve been in this stock business a solid 4.5 years… that’s not a very long time, but then again this biz is still very young. 4.5 years isn’t much less time than some of the top selling microstockers, either (ie: Yuri Arcurs and Andres Rodriguez to name a few of the top dogs). In this short period of time, I’ve first handedly learned and experienced more in this business than I can even put into words in a Tuesday morning blog post. With just a little over 5000 stock images, I still just consider myself a small fish in a big pond.
Here is my take on getting started in the business – straight up, no chaser.
If you’re just starting out right now… in 2010, I honestly think you’re going to need a prayer to initiate your momentum and to start earning enough images to make a living. I started back in late 05, early 06 – I was paying my mortgage by mid 07 and then went all out full time with the loss of my full time dayjob in mid 2008. If I waited until now, and transitioned from part time in stock to full time, I don’t think that I would make it. Things were much different back then, too. It was much less difficult to get images approved (if you can’t get past that hurdle, you aren’t going to be able to sell them obviously) and it was much easier to get lots of downloads on simple subjects. It seems like every few years in stock it’s more of an uphill battle. In 06 you could submit a pile of crap, and still sell it like hotcakes. Technically imperfect photos, even. Now you’d better have your skills sharp and be able to hang with the rest of your competition just to get sales.
If you consider yourself an amateur and just want to make $100 a month just uploading a couple of new images each week, sure that’s definitely possible. If you’re looking to make $1000+ a month on a newer portfolio, you’re going to need to have a long road ahead of you, unless your work fills some sort of crazy un-touched niche with high commercial demand. Can you live off $1000 a month? Maybe if you live in India or Asia. I wish I could. In the US that won’t even pay the average mortgage or rent for the month.
Saying you want to sell stock is one thing – doing it and actually continually maintaining momentum in it is another. Putting up with the submission process, keywording, uploading (all the tedious parts) is another thing that stops 99% of people in their tracks. They realize all of the work in it, and are either too lazy or just get discouraged from lack of sales. When it comes to stock – you either “get it”, or you just don’t. Some grasp at straws taking pics of churches, shooting fruit over white or zoo animals all day, while others create useful, commercial imagery. This is going to be the largest hurdle for most contributors, used to producing nice prints for their living room walls.
So here is what you need to make it:
- Self motivation (Are you a motivated self-starter? Can you stay on task without getting distracted while working alone from home? If not you might as well not even bother with microstock)
– Creativity… enough to choke a cow
– Business sense! At least as much if not more than creativity
– Quality gear to accomplish whatever it is you’re shooting the most, I’d say an initial investment of $2000-4000 at minimum to cover most of your bases – computers/cameras/lenses/studio gear (don’t even waste your time with consumer point and shoots, unless you like getting over 50% of your images rejected for technical quality)
– Technical skills both in camera and off (Photoshop knowledge can make or break you in this business. If you’re lacking, you’d better hit the books or don’t bother uploading at all)
– Tons of regular uploads. Take whatever you think is a lot to produce each week, and add 50 to that number.
– Good keywording skills (something that takes a lot of time to develop, for most)
– Ability to set and reach hourly / daily / monthly / yearly goals
– Lots of quality and variety
– Quantity quantity quantity in addition to high quality (a portfolio of 3000 images is the “new” 1000 – but 3000 crap images has the sales potential as a portfolio of 300 excellent ones)
– Patience, persistence, and a backup income before you get the stock ball rolling
Us full time microstockers are in the minority – I’d estimate there are probably under 500 in the world. Who knows? I wish I knew the actual figures, but that would be a tricky statistic to pin down. I’m not talking RM/ traditional stock sellers, but those that are strictly making their income with microstock, exclusively, whether they are working for one agency and an exclusive artist or they are using multiple agencies to sell their work. We are a rare breed, and a lot of us are probably crazy for even attempting this feat
One thing you can’t expect from this business is to get rich off of it. Gone are the days of making money from the snapshots laying around on your hard drive (heck, I myself even claimed that back in 2006 – because that was truly the case back then – but not anymore). If you’re the type of individual that wants to earn a higher than average income, then you’re definitely barking up the wrong tree here. It’s taken the seasoned pros years just to develop a portfolio strong enough, large enough, and good enough to consistently earn them a steady monthly income. Don’t expect for this to be a quickly profitable start-up business without any sacrifice or years of “paying your dues”.
If you’re going to attempt this, you need to treat it like a start-up business. 40-60 hrs a week, working diligently and taking a stab at it. After a few months you should then evaluate your time & cost vs earnings ration. Time is money, so if you are seeing a decent return for all of your hard work right off the bat, then there is your answer whether or not you might be able to make it as a full time microstock contributor. Otherwise, you might conclude that stock is a rainy day side hobby to dabble in whenever you’re bored or needing some extra cash for new gear or to take your wife out to dinner. If you haven’t noticed, I don’t blog super regularly. My blogging is highly intermittent. I’m sorry, that’s just pretty much due to the fact that I’m too busy working, as a one-man operation. I limit myself to a 40 hour work week, because money isn’t everything to me. I work to live; I don’t live to work. When you work for yourself you have to limit yourself; unless of course you want to be a burnt out workaholic that doesn’t have a happy family, spiritual, or any type of other life. I digress.
Do you already consider yourself a pro photographer, because you’re making a living in the wedding or portrait business? Sorry to burst your bubble, but micro is an entirely different animal. Please try not to go into it thinking you’re going to be all set and that it’s going to be a piece of cake for you, just because you’ve been a seasoned pro photog for years and years. I’ve heard many stories of this happening. You’re still going to have just as much learning curve as the amateurs will, just as any of us did back when we started. The harsh reality of the nazi-ish microstock quality standards are enough to turn even the best of photographers away from this business.
Timing is everything, so I can understand why there are so many blog posts online explaining how the ship as sailed to be able to have a full time microstock living. I respectfully disagree with that for those microstock contributors who already have their foot in the door with a large collection of images, established and already selling. Given the continual move of buyers away from RM and more to budget RF images, as well as the continual movement towards digital media of all types in our daily lives. If you are currently sell microstock part or full time, and are making a decent living, consider yourself a rare breed. I wish everyone success in whatever creative field you’re involved in, and hope that my honest evaluation of the business in this article has helped those considering microstock as a career choice. I’m tired of all of the nay-sayers and doom and gloom discussed about this business. Remember too that there are a thousand ways to make a living in any creative field; it just depends what you want to set your mind to, and focus on in your own business. If the microstock market tanks and us full time contributors can’t continue getting by, being forced to explore other avenues of income, then it is what it is. Only time will tell. In the meantime, happy selling!
Related posts:
- Learn the Trade – Getting Started Selling Microstock Photography
- Microstock – Evil and Devaluing to Photographers?
- Pricing Your Photography – High or Low?
- I Am a Parasite
- Starting Out in Microstock – Quick Start Guide & FAQ
Tags: business, buyers, earning a living, full time, making a living, microstock, microstock photography, photo industry, photographers, professional, RF, RM, stock photography


Another excellent post! Selling stock is hard work even for seasoned submitter. For newbies, it is definitely an uphill battle as you have rightly said .. provided of course they can get approved as a submitter. Lol.
You’re absolutely right hfng – even getting approved to sell on istockphoto and shutterstock has proven to become increasingly more difficult as the years go on. As more time goes by, we have to make sure, as artists, that our technical skills and quality continue to increase. With the ever-declining cost of DSLRs, the doors are wide open for new ones to give it a shot, as long as they can get past the gate-keepers
…the photo reviewers and inspectors.
Definitely the best article on the subject and probably the best on this blog. Great stuff – now get back to work!
Straight to the point, thanks for your honesty, I dont think I have the committment to make it work full time
Probably the best post on becoming a microstock photographer in the last couple years
I agree completely 
Adding in next version
Btw, nice blog!!
Nice article. A good contrast to the ‘get rich quick’ articles that seem to populate the internet.
I don’t think there is ever enough of the best in any field, no matter how saturated it is, so if someone was REALLY one of the best I think there is more than enough room for them in microstock. The truth is however, that very few ARE the best, and even then it is an uphill battle. Your post paints a very realistic picture.
Sir Todd,
this is in my unquestionable judgement the “2010 manifesto for the microstockers”.
Thanks for sharing… as I see your time is precious for keeping make a living selling Microstock Photography
roberto
Great blog Todd, insightful and to the point although I cant condone choking a cow with your creativity!
At least a non biased article on microstock earnings, well done Todd!
@Matt @Ayesha @Bob @Tyler @Roberto and @Laurent: Thank you guys for all of your sentiments – very much appreciated. I think that there will definitely always be room for new niches in this industry, but the challenge is going to be focusing on the ones that will yield results. New ones are popping up daily, so every so often we need to be sure that we’re awake to the times we’re living in.
@Tyler – very good point. There will always be room for artists to rise up and become better than they once were, and this new era of available/affordable technology is breeding a lot of fresh young talent. If I was able to teach myself my way around a DSLR in just a couple of years, a lot of others would be able to as well. I believe some artists move up rather fast, and others struggle (or get into a comfort zone). It’s always fun to take a look at your first 100 images once in a while, and take a good laugh at yourself
If you don’t do that, you’re not going to see your progress.
Even still, it’s unfortunate that microstock is way more than shooting and being creative. I’d say I am shooting about 5 or 10% of the time, and the rest of it is spent culling, editing, keywording, uploading, pushing. It’s the part of this line of work that is the “job” part – there’s no easy way around it. Every job has its tedious “tasks” if you will, and that’s probably one of the largest hurdles in becoming a full time stock photographer – the insane amount of repetitive and boring tasks. I actually enjoy the editing, and the uploading/pushing is a piece of cake with the right tools (thanks to friends of ours like Bob Davies with picniche.com and the toolbars). The image keywording is definitely my least favorite part of this career choice
Great article Todd. It’s a very good evaluation of the microstock industry. I’m tired of all the doom sayers these days so it’s nice to read an article telling it like it is really.
Thanks
I’m sick of hearing about all the doom and gloom too, Eric
Thanks man
Check out further discussion on this topic on the Microstock Group Forums:
http://www.microstockgroup.com/newby-discussion/can-i-really-earn-a-full-time-income-from-microstock/
Great post, Todd! Really interesting to hear your take on this matter.
Out of curiosity, would you encourage new photographers to explore a career in assignment photography instead of stock?
Great stuff. I like blogs like this which show the reality. Still too many blogs out there, giving it the old “upload your photos and get rich” jargon. I missed out on the days when microstock was new and you could throw any half decent and even not so decent photos at them. Sometimes I get that experience with new microstock agencies, but the new agencies don’t stand much of a chance of catching up to the established sites. Not sure if I’ll ever make a living selling microstock photography. I do live in Southeast Asia though, so $1000 a month would be more than enough to say I’m making a living.
@nicemonkey Don’t worry, no cows were creatively choked in the making of this blog post
@Becky: I would encourage new photographers or graphic designers to test the waters in whatever they are interested in pursuing, but to make sure after their trial run they’re not spinning their wheels wasting time and money on something that isn’t going to give them a decent return. Like I said, there are a thousand areas to focus on in each of these businesses. Some might want to strictly shoot pet photography, others sports or weddings. One designer might focus on corporate identity or logo design, while another strictly sticks to illustration or 3D animation. I’m only talking about what I know here, I can honestly count on one hand the number of times I’ve shot on assignment (not for stock) so I don’t think I’m one to really comment on that side of things.
@microstock posts: That’s awesome if you can make a living there that cheap, I always joke with my wife about us moving somewhere like that for the same reason – and also because I love looking at palm trees and tropical surroundings. Not sure if I’d be able to get used to the hot and sticky humid climate though. Singapore and parts of Malaysia I hear are pretty nice.
This article is very very good. I agree 99% here except that perhaps it is difficult to categorize who is making what amount of money if not everyone reports their earnings online. I do believe it is a small amount of the microstock photographers, by far. I tossed a link to this articule on my blog, I feel it is a good read for anyone!
-dave
microstuck.blogspot.com
I ended up directed to this blog out of curiosity on Twitter (by @photojack), and it’s intriguing. Stock is one of those things that I learned about while I was in school, had it played up for me while I was in there and stuff; but ultimately chose not to take part in because I had other ideas.
Now with the economy so bust I’m looking to do anything just to have a little bit of spending money, and stock’s been floating back into my brain. Hearing this very real view about what it’s like gives me a bit of hope that maybe it would be possible to supplement some income with it, somehow. I have no intentions of being a stock photographer as a living, but an extra $100 at the end of the month to put towards a new lens or something would be nice. Or as emergency cash. LOL
But the best part about it is that it’s refreshing to hear a real view on the whole matter. I manage a photography forum and one of our members can stop going on about stock photography and that he’s going to get into it. But in the same breath he can’t tell us how to properly expose a photo, and just bought his first lower-end DSLR at WalMart. I’ve shared this article there to hopefully help get his head out of the clouds, since neither myself nor my staff (one who does stock photography, even) have managed to get through to him. I hope you can.
Thanks for all the great information!
-Samantha Genier
Great article! very balanced and honest in highlightning microstock opportunities while also reporting difficulties
I have to say that http://www.arenacreative.com is really a good website
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